Feb
17
2008
So a couple weeks ago I wrote a post in an LJ community on why people ship Neuro and Yako when all Neuro does is smash her head against walls and ceilings, down her in gas and make her balance a candle on her head and use her as his chair/mop. After reading more of the manga (I’m on volume 12 now) something occured to me: Neuro and Yako are almost like Hamel and Flute from the Violinist of Hameln. You got the hero, who’s a monster (or half monster) who finds a plain old girl and forces her somehow to follow along with what he’s doing. In the meantime he abuses her in a gag kind of manner (Flute Missile anyone?) but near the end it’s because of the girl is the hero able to conquer his final foes.
Needless to say I feel Yako will play an important part to Neuro near the end, similarly to like she did in the HAL arc. But even if NeuYako is my fannon, I’m down with it. The other fanarts I’ve seen are so freaking adorable that it’s enough to convince me to support this pairing.
And on a note of fanart, here’s a 描いてみた Part II:
Also to my Japanese visitors: 「描いてみた」ビデオアップロードためプロにしなくちゃならないですか?べつにプロじゃなくてもいいんじゃない?自分の絵すこし下手だけどべつに気にしてない。プロになるつもり全然ないからただビデオ作りたかっただけ。それ悪いですか?
わけわかりません。(´へ`●)
P.S. The Hameln I’m referring to is the manga, the anime sucks terribly. Good luck trying to find copies of it though - it’s forever out of print.
P.P.S. Holy shit there’s a sequel to this now? Must buy! 